Superman in Who’s Who: 90′s Edition continues today with the only character outside of Superman that goes back to Action Comics #1.

Next time: The supporting cast from Smallville.
More to follow…
It occurred to me this morning that there are a lot of people reading this blog and listening to From Crisis to Crisis: A Superman Podcast that are getting to know the nineties era Superman for the first time. I think because I am so familiar with this iteration of the Man of Steel that I take it for granted that other people are too. So over the next handful of days (which is code for, “I have no idea how long this is going to go on.”) I thought it would be informative and entertaining (thus making it infotainment) to post the Superman related entries that appeared in the 1990 edition of Who’s Who in the DC Universe and its follow up Who’s Who in the DC Universe Update ’93. Not only are these entries are a great snap shot of what the world of Superman was like just before the Death and Return of Superman went down but you also get to see some pretty amazing art as well. Some characters will have a day all to themselves, others will get lumped into a group of characters. It really depends on how important they are to the world of Superman. The commentary will be fairly light as well as I want the focus to be on the entries.
We’ll start, naturally, with the Man of Steel himself.
Next time: The Fortress’ look at the Superman supporting cast begins with a certain reporter with the initials L.L.
More to follow…
Today I present the first level of The Death and Return of Superman video game for the Super Nintendo. I recently snagged a copy of this and have been trying to find the time to seriously play it as my wife and I actually have a working SNES in the house. So far I have gotten through two levels and while it is far from the best Superman game out there it is a lot of fun. At least to me. I freely admit that that opinion could simply be nostalgia talking but at the same time I didn’t own this game when it first came out so I don’t know if I can be nostalgic about something I didn’t have in my misspent youth.
Anyway, here’s a video I found on YouTube of the first level. This is as close of an adaptation of Superman: The Man of Steel #18 as we may ever get. Enjoy.
More to follow…
There were several house ads that DC put together to advertise various aspects of the Death of Superman. This first one is the earliest seen in the comics.
Simple and effective. I mentioned when Jeffrey and I talked about this ad on From Crisis to Crisis that I like the fact that they included the triangle numbers in the ad to let people know that the titles went in a certain reading order and so I am mentioning it again here.
While I prefer this image in black and white (as seen on the cover to Adventures of Superman#498) it is cool to see what it would look like in color. Apparently the people in the subscription department were on the ball with the whole Death of Superman thing because it says here that if you got your order in by October 28 you would get the polybagged edition of Superman #75. That is pretty neat.
If you are going to advertise the death of Superman you can’t go wrong with a tombstone cover. What I like most about this image is that the S symbol looks like it was carved instead of drawn. That is a neat little touch and something I missed back when I first saw the ad.
Finally…
This is a really creepy ad, mainly because it looks like a photo. It may very well be a photo but still. Beyond that this ad seems a lot more epic than it deserves to be. I mean I love the Doomsday: The Death of Superman trading card set. I really do. It’s just this seems more like an ad for the comics themselves rather than a piece of the merchandising.
Oh well. It is still a cool ad.
Next time: No idea. I am flying by the seat of my pants this week, folks.
More to follow…
I have mentioned in the past that while I started collecting comics on a regular basis in the spring of 1987 I didn’t start paying real attention to the culture of my chosen addiction until about 1994. There were exceptions to be sure. For a few years I was a faithful reader of Comics Scene Magazine and learned about a wide variety of new and interesting books but looking back I bought it mainly for the articles on the movie and television adaptations that were coming out at the time. Not that there’s anything wrong with that. It is just where my head was at when I was twelve to sixteen years old.
Because of the tunnel vision I had at the time and maybe because I didn’t hit the comic shop on a weekly basis I missed out on some things involving the Death of Superman. One of them was a magazine called Comics Values Monthly. I have been able to find precious little about the history of this magazine but from I have seen it started in 1986. I have managed to get my hands on three issues and from the looks of it CVM was one of the many price guide type magazines that were so popular in the early nineties. What I would like to know is if CVM started out as a price guide when it began publication in 1986 because if that is the case it beat Wizard: The Guide to Comics to the punch by five years.
CVM definitely had it over Wizard in terms of having a special dedicated to Superman out around the time Superman #75 hit the stands. Wizard would eventually put out a flashy Superman related special but that was published closer to when Reign of the Supermen was about to start. While I can’t find an exact date of publication CVM‘s special was solicited in the same edition of Previews as Superman #75 and they even included a really keen ad for it.
The cover is by Tom Grummett and Doug Hazlewood and is a cropped version of their cover to Adventures of Superman #499.
This cover is almost meta when you think about it. The magazine is a memorial to Superman while the cover depicts people visiting a memorial to Superman. That’s kind of deep but I am going with the assumption that CVM chose it because it is a striking image. Either way great cover.
On the inside front cover is the tombstone ad for Superman #75. After the table of contents we have what is called Dialogue Balloons and Captions, which is essentially the opening message from Neil Hansen, the editor of the magazine. It is an interesting read as such opening messages go. Hansen discusses Superman’s place in the world of comics and pop culture as well as his personal connection to putting out a magazine about Superman. In 1983 Hansen co-created a magazine for Krause Publications called Comics Collector and the first issue was a spotlight on Superman’s 45th anniversary. That made me smile because I actually have the first issue of Comics Collector thanks to my former comics dealer Chuck Sheffey.
For grins, here is a scan of the cover to that first issue.
It is always weirds me out when one seemingly random piece of my Superman collection is connected to another seemingly random piece of my Superman collection.
After Hansen’s opening comments we get to the articles which include:
And that is it. As you can see the people at Comics Values Monthly put out a detailed and exhaustive look at Superman’s history. I am very happy that I found this in my research on the Death and Return of Superman. It was fairly cheap too if you want a copy for yourself. I paid like $2 plus shipping for mine, which was a lot less than I thought I would have to pay. I cannot recommend this magazine enough if you are a fan of the Man of Steel.
Next time: Death of Superman house ads!
More to follow…
The original plan for today’s post was to present an overview of the Comics Values Monthly Superman Memorial Issue but time got away from me and I also caught a cold that is currently gettingt worse. So, instead of taking the time necessary to make that overview all that I want it to be I will post some pictures of the posters I recently put up here in the temporary Fortress. I mentioned these on a recent episode of From Crisis to Crisis and got an e-mail from Daniel Nielsen (Hey, Danny!) asking to see one of the posters I talked about so now I get to kill two birds with one stone. So without further ado here are the pictures I promised to post.
This is the “A Side” to the Comics Values Monthly poster. I posted this the other day. I think it’s keen.
And here is the poster that came inside the bagged edition of Superman #75. Again I posted this the other day and again I think it is keen.
This is a promo poster for Reign of the Supermen. I don’t know if this is an original or if it is a reprint (for lack of a better term) that was included in one of the comic packs (again, for lack of a better term) that DC put out at the time. For those not “in the know” during the early to mid-nineties DC would package issues of a particular story (such as Reign of the Supermen or Knightsend) or even a trade paperback (such as the Death of Supeman) in one, convenient set and sell them at Wal-Mart or Toys R Us or K-Mart or some other retail establishment. Sometimes DC would include posters and it is possible that this was one of them. Either way it is cool to have.
This is the other side to that Comics Values Monthly poster. This is why I bought another copy of the issue it came in. I could not choose between the two images. I had to put up both. The art is by Tom Grummett and Doug Hazlewood, for those that were curious.
This is a new version of a poster I came across back in 1998 when I found one of those comic packs I mentioned earlier that had a copy of Superman #82 in it. The image on this poster is from that issue and looks fantastic blown up to this size. My good friend Alan Leech, Jr. sent this to me in a box of other posters and I am so glad he did because the one I had before this is starting to look ragged.
Here is what they all look like together.
Ignore the Star Wars calendar. If they had put out a Superman calendar for 2012 it would be up, so I went with one of my other fandoms.
Finally I wanted to show off something that Douglas Meacham sent to me (as well as sending one to Jeffrey Taylor) because he is a fan of From Crisis to Crisis. Normally I don’t like to brag, but this was so cool I just had to share.
Thanks, Doug!
Next time: That overview I said I would do today but didn’t do today because I’m not feeling well. Promise.
More to follow…
In December of 1992 DC released the second issue of Who’s Who in the DC Universe Update ’93 #2. Until a few years ago I didn’t even know that that there was a Who’s Who in the DC Universe Update ’93 series at all, which was a face palm worthy moment. It goes to show how much I wasn’t paying attention to comics around this time period. Sure I went to the shop on a fairly regular basis and I would buy Comics Scene Magazine but my ear was far from the ground when it came to new series and such. So I missed out on the follow-up to my favorite version of Who’s Who (the loose leaf edition, for those not in the know) when it was published and have it only because a certain online auction site exists.
When the copies I won off of eBay finally arrived in the mail I was pleased to discover that the Superman side of the DCU had a nice presence over the two issues. In the first installment there were entries for Agent Liberty, Cerberus, Lord Satanus and Mister Z. In the second issue you had entries for the Atomic Skull, Lex Luthor II, the Linear Men…
and Doomsday!
This is a seriously awesome picture of Doomsday. I like the fact that he is busting through a wall like the Superman Aurora kit box art from the sixties. I also like the fact that he is still wearing the majority of the restraints we first saw him in. I always preferred that look to the bare chested, shorts and boots wearing Doomsday we saw towards the end of the storyline.
And apparently Doomsday has nipples. Good to know. Weird, but good to know.
So the obvious question is how in the heck do you write a Who’s Who entry for a character that has only been around for a few months and was not given an origin before he died fighting Superman?
The answer; lots of empty space.
I am guessing they included an entry for Doomsday because the Death of Superman ended up becoming such a media event. Maybe they thought including Doomsday would sell a few extra copies of the second issue. Maybe this was the plan all along. No matter the reason that is a lot of blank space for a Who’s Who entry.
Oh well. I am glad they decided to give Doomsday his own entry. It is neat to have.
Next time: A breakdown of the Comics Values Monthly Superman Memorial Issue.
More to follow…
Today I am feeling kind of basic, which strikes me as a movie quote now that I think about it. Didn’t John Cusak’s character say that in the movie High Fidelity? I think he did. I love that movie. If I was a complete hack I would write my own version set in a comic book store instead of a record store because, let’s face it, that movie nails the collecting mentality and could easily be applied to just about any fandom. Sure the ending would have to change slightly but the heart and soul of the piece would still be there.
Anwyay…
Today I have the last two articles sent to me by Christopher J. Warden about the release of Superman #75. The first one is from the Detroit News and it is…odd.
I am kind of curious where the writer, Rob Allstetter, got the idea that Doomsday had paws. Maybe he saw the four pages of Doomsday punching the wall that were at the end of the November 1992 Superman titles and thought, “Hey, that might be a paw.” Or maybe the editor added that later. In any case…weird.
After the confusion over whether or not Doomsday has opposable thumbs we move into the gossip and once again there are the, “Increase or decrease in powers,” and “Superman is going to be so much meaner when he gets back,” rumors followed by a new one (at least as far as my research goes) about Lois and Clark breaking up after the resurrection. It seems strange that a creative team that spent so much time and energy trying to get those crazy kids together would chuck all of that away after Superman came back from the dead. Then again rumors were probably flying fast and furious at the time, so this one is just as valid as the rest of them.
Finally there is a reference to Superman Returns, which surprised me a great deal. I know there was talk of a new Superman film at the time but those rumors centered around a continuation of the Christopher Reeve films or a “Young Superman” film with Gerard Christopher. The title Superman Returns has never come up in any of the articles I have read on the unmade Superman films between Quest For Peace and…well…Superman Returns, which doesn’t mean that it didn’t. I just haven’t seen it yet. I am curious where Rob got that name from.
I am also curious if the Rob Allstetter that wrote this article is the same Rob Allstetter that runs the Comics Contiuum. That would be cool to find out. An e-mail has been sent. Updates will be given as they happen.
Update: Yup, it turns out that the Rob from the article and the Rob from Comics Continuum are one and the same. Seems Rob worked as the Deputy Sports Editor for the Detroit News for about 15 years. And know you know.
It was neat that the Detroit News went with the Adventures of Superman cover as their graphic. In full color even. Awesome.
Before I close up shop for the day here is the final article I was able to find/someone sent me.
“It’s a bird, it’s a plane, it’s a sham.”
And with that one sentence we have the most insulting of the articles I have read. At least they chose a good image to run with the text.
Next time: Doomsday’s Who’s Who in the DC Universe entry.
Yes, he had one.
More to follow…
Today I am finally getting around to an entry I meant to post nearly two weeks ago but wasn’t able to because there were delays in scanning and/or photographing the materials I needed to be as complete as I could be with the subject matter. That is all behind me now and at last I can present the various editions of Superman #75.
In addition to being the issue where Superman died Superman #75 was also one of the first instances of a comic book being released in more than one edition at the time of publication. While it is true that Spider-Man #1 (1990) had multiple editions and X-Men #1 (1991) had five different covers and X-Force #1 (1991) came bagged with one of five different trading cards (collect them all, kids) Superman #75 did all of that and even upped the ante with the idea of a specific, collector’s edition of the book. From a marketing standpoint it was a pretty neat idea and it was a way for DC to have their cake and eat it too. While there were definitely going to be people flipping open the phone book and seeing if there was a comic shop nearby after hearing or reading about the death in the media there were going to be other people that either couldn’t get to the shop, didn’t have one in their area or just didn’t care enough to be bothered to track one down. Also this was a time where comics had a decent representation on newsstands and spinner racks and while the collector’s edition of Superman #75 probably would have sold in those venues it was a safer bet to have a more standard version for the newsstands and leave the collector’s edition to the specialty stores. DC would go even further by putting together an ultra rare variant of the book for retailers but I will get to that in a minute. For the moment let’s focus on what I and many others call the Newsstand version of Superman #75.
If I have my facts straight the Newsstand edition was the reason Superman #75 sold over three million copies. This makes sense when you consider the fact that this was the edition that went into multiple printing. As Jeffrey pointed out in our coverage of the issue over at From Crisis to Crisis there were at least four printings of this version with Roman numerals and slight color variations in the logo to separate them. I would love to show you scans of the various printings but I don’t have all of them and with this particular entry I wanted everything I posted to be from my own collection.
Beyond all of that I like this cover quite a bit. The tattered cape “billowing” in the wind as Lois, Jimmy and Perry look on from the background makes for a powerful image.
Next on the agenda the Platinum Edition of Superman #75.
This version of the issue was a retailer incentive that was sent exclusively to comic shops. I don’t know if you had to order a certain number of copies to get one (or more) but it is certainly the rarest of the various editions. I have no idea if the book itself is different and as much as I want to be thorough in my coverage of this material I only have one copy of this so that will be a mystery for the moment. What I do know is that the back cover looks different from the other two editions or at least it looks different through the clearer parts of the back of the bag. Instead of having the ad that both the Newsstand and Collector’s Edition had it looks as if they carried the tombstone effect I am about to discuss all the way around, which is interesting.
Frankly I am shocked I even have one.
Today I have another newspaper article concerning the release of Superman #75. This one was sent to me by Christopher J. Warden and is from The Oakland Press, a newspaper out of Pontiac, Michigan I believe that serves Oakland County.


This is a very straight forward piece and I like that. As I have mentioned in the past these articles amount to little more than puff pieces in the eyes of the media but Bob Gritizinger manages to play it straight and not be dismissive with the subject matter. Once again we see the rumor that Superman will be a darker character when he comes back but at this point I would have been disappointed if I hadn’t seen it. I also like the fact that the paper chose to print an actual page from the comic book.
Next time: Finally…the contents of Superman #75.
More to follow…